Drawing for the Absolute Beginner Books

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Drawing for the Absolute Beginner


Drawing for the Absolute Beginner
  • Author : Mark Willenbrink
  • Publisher : Penguin
  • Release : 2006-10-19
  • ISBN : 9781600616013
  • Language : En, Es, Fr & De
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This inspiring book makes drawing in a realistic style easier than you may think and more fun than you ever imagined! Authors Mark and Mary Willenbrink (Watercolor for the Absolute Beginner) cover it all—from choosing materials and the correct way to hold your pencil, to expert advice on the tricky stuff, like getting proportions and perspective right, drawing reflections, and designing strong compositions. (It's not as scary as it sounds…not with Mark and Mary as your guide!) At the heart of this book, a series of fun, hands-on exercises help you practice and perfect your strokes—24 mini-demos lead up to 9 full step-by-step demos. Each exercise builds on the previous one as you develop your skills, build your confidence, and enjoy yourself along the way. The lessons you learn by drawing simple subjects such as coffee mugs, clouds and trees will help you take on progressively more challenging matter like animals, still lifes, landscapes and portraits…the kinds of subjects and scenes you've always dreamt of drawing. This book is just the ticket for budding artists of any age. It's never too early and never too late to discover the pure joy of drawing!

Drawing for the Absolute Beginner


Drawing for the Absolute Beginner
  • Author : Carole Massey
  • Publisher : Search Press(UK)
  • Release : 2017-12-15
  • ISBN : 1782214550
  • Language : En, Es, Fr & De
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"If you have always wanted to learn to draw but lack the confidence to start, [this] is the book for you. The author, Carole Massey, is an accomplished artist with many years' experience of teaching and demonstrating, and even the most hesitant of beginners will soon pick up the skills and techniques needed to start drawing. The book is a complete drawing course, designed to help you progress from simple techniques such as lines, circles, squares and ellipses through to capturing landscapes, figures and buildings."--

The Absolute Beginner s Big Book of Drawing and Painting


The Absolute Beginner s Big Book of Drawing and Painting
  • Author : Mark Willenbrink
  • Publisher : Penguin
  • Release : 2014-08-12
  • ISBN : 9781440337611
  • Language : En, Es, Fr & De
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Everyone can draw and paint, including you! Even if you have never drawn or painted before, you can start creating your own beautiful artwork. Let the Willenbrinks show you how! Beginning with materials and basic techniques, these pages will teach you everything you need to know to get started in drawing, watercolors and oil painting. Follow along with 75+ demonstrations and mini-demonstrations as you learn how to draw and paint a wide variety of subjects: people, landscapes, buildings, still life and more. Every essential art topic is covered, from sketching and shading to composition and color. Simple step-by-step instruction and many enormously useful lessons and tips will have you making your own masterpieces in no time! You may be an absolute beginner, but great results are absolutely within reach!

Drawing for the Absolute and Utter Beginner


Drawing for the Absolute and Utter Beginner
  • Author : Claire Watson Garcia
  • Publisher : Watson-Guptill
  • Release : 2003
  • ISBN : 0823013952
  • Language : En, Es, Fr & De
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Provides lessons on essential drawing skill using a pencil, pen, or charcoal to create still-life drawings and portraits.

Learn to Draw Manual Drawing for the Absolute Beginner


Learn to Draw   Manual Drawing   for the Absolute Beginner
  • Author : John Davidson
  • Publisher : JD-Biz Corp Publishing
  • Release : 2013-05-15
  • ISBN : 9781310837012
  • Language : En, Es, Fr & De
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Learn to Draw - Manual Drawing - for the Absolute Beginner If you are an artist in search of further knowledge about drawing to enhance your skills, then this is not the book for you. This book is for the individuals who wants to be an artist but know nothing about drawing. I know how it feels when you want to illustrate an idea but you just don’t know how to start. And when you finally grabbed the confidence to mark that paper but then it turned out really terrible and you didn't want to show it to anyone. Table of contents INTRODUCTION GETTING STARTED How to grip a pencil properly Warming up SKETCHING Starting with sticks and shapes DETAILING Design Texture SHADING Casting shadows Hatching Cross-hatching Scumbling Stippling Smudging and layering Smudging Layering This instructional manual is for making the ‘two circles’ cat of yours into something more pleasing and distinguishable, for enhancing that sheep which looks like a cloud with a face, for turning your stick figures into cartoons, and more. Learn the very basics of drawing easily by following this step-by-step tutorial and realize that drawing is something that is fun to do, and not something that becomes a cause of frustration. To give you a hint of what this book is all about, look at this short list of tasks that you will learn to properly initiate after reading and following the tutorial. Tasks: Start with a loose sketch. You need to define the first look of your drawing by sketching it first so it could serve as a pattern for your permanent outlines (defined outlines). If the lay-out of your primary sketch is too far-off from the final piece that you are after, the latter parts are going to be difficult. Define permanent outlines. Trace your sketch to clearly define the contour shape (primary shape) of your drawing, and clean it up by erasing the sketch markings. Show/illustrate some texture. Texture contour provides a better portrayal of the shape’s dimension values. The details such as scales, fur or any print and texture should curve and flow with the contour shape of your subject and adjust with it accordingly. Draw the necessary details. Use a variety of line thickness and line weight (given pressure on the pencil) to show the right balance to the whole drawing, use thick lines for the parts that should visually dominate the drawing, and less visible and thin lines for the secondary details and parts that merely describe the object/subject’s form.