The Musicians Guide to Theory and Analysis Anthology Books

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The Musician s Guide to Theory and Analysis Anthology


The Musician s Guide to Theory and Analysis Anthology
  • Author : Jane Piper Clendinning
  • Publisher :
  • Release : 2016-06-01
  • ISBN : 0393283194
  • Language : En, Es, Fr & De
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The anthology includes over 100 outstanding teaching pieces written between the seventeenth century and the present. These scores constitute the text's core repertoire; with the text's spiral-learning method, students return to each work throughout the theory sequence. The selections represent a wide variety of genres and instruments to engage every student. For the Third Edition, the anthology has been expanded to include more works from the recent past.

The Musician s Guide to Aural Skills


The Musician s Guide to Aural Skills
  • Author : Joel Phillips
  • Publisher : W W Norton & Company Incorporated
  • Release : 2005
  • ISBN : 0393976645
  • Language : En, Es, Fr & De
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A comprehensive introduction to music theory integrating the basic rudiments.

The Musician s Guide to Theory and Analysis Anthology


The Musician s Guide to Theory and Analysis Anthology
  • Author : Jane Piper Clendinning
  • Publisher : W. W. Norton
  • Release : 2020-12-20
  • ISBN : 0393442314
  • Language : En, Es, Fr & De
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The Musician s Guide to Theory and Analysis


The Musician s Guide to Theory and Analysis
  • Author : Jane Piper Clendinning
  • Publisher :
  • Release : 2016-06-01
  • ISBN : 0393263053
  • Language : En, Es, Fr & De
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The most comprehensive and integrated package for every music theory classroom.

Reconceiving Structure in Contemporary Music


Reconceiving Structure in Contemporary Music
  • Author : Judy Lochhead
  • Publisher : Routledge
  • Release : 2015-06-19
  • ISBN : 9781317581086
  • Language : En, Es, Fr & De
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This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.